Beliard Clock Value; It is a French Beliard 8-day Mantel Clock from around 1865. It has a 5.5-inch original signed convex enamel dial and a big spring-driven brass movement. It also has a large metal mantel clock with cherubs. An unusually large movement that lasts for up to 8 days. The case was re-gilded, the movement was cleaned, and the fancy original gilt hour hand was fixed. This is how it worked: 20 inches high by 16.5 inches wide by 8 inches deep.
Around 1880, France was a country. 8-Day Mantel Clock with a 3-inch Dial that isn’t signed A huge and beautiful clock with a lot of attention to detail. Enameled clock with original brass spring-driven movement with a chime sound. There is some wear on the item. A brass plate with the name LE VAINQUER is on the front. ten inches wide by twenty-three inches high by twenty-three inches deep.
Around 1850, a French Japy Feres 8-Day Mantel Clock with a 6-inch Dial was made by Japy. It was made in France. F Berthoud’s is on the dial. The clock is made of white Carrera marble and more bronze and has an excellent original dial marked F Berthoud’s.
It also has an original spring-driven brass movement with bell strike and an original spring-driven brass movement with bell strike. Excellent condition with a few minor flaws, like new feet for the base and a missing glass cover. 32-1/2-inch-high by 19-inch-wide by 7.5-inch-deep 32-1/2-inch-high by 19-inch-wide by 7.5-inch-deep
Circa 1840, is a very rare and unique large gilt bronze skeleton clock from France. It has a 4 1/2-inch enamel dial, a 30-day power reserve, and a heavy brass double fusee movement. A very similar clock with the signature of C. Detouche a Paris, a well-known clockmaker in France, is shown in the book “Skeleton Clocks” by F.B. (including dome).
John Wannamaker’s Figural Putti Gilt and Cobalt Porcelain Clock with a Coin and a Postcard was made. It’s a beautiful French Rococo case with a glossy cobalt porcelain body that’s been decorated with gilt metal flowing filigree at the top and along the base. It also has figural winged putti on each side.
Four A nuts that hold the bell in place are missing, and there are a few chips around the arbor holes on the dial and in the door glass. The gilt metal finish has a 4 A nut missing. There is also a postcard from 1906 for the Wannamaker business in Philadelphia, as well as a coin for John Wannamaker that people can keep as a souvenir. 17 inches tall, 10.5″ wide, and 5.5 inches deep.
In around 1900, the American Ansonia Clock Company,
New York, made a mantel clock with a 4′′ dial and 30 Hours that was signed and had a paper dial with a second’s bit. It also had an original brass clock mechanism that was driven by springs. Weathered and in good shape, the finish is in good shape. Cleaning is important. 20″ high by 7″ wide by 7″ deep
If you don’t pick up the items you want from Christie’s by 5:00 pm on the day of the sale, we may move them to Cadogan Tate at our discretion. They will tell you if the lot is moved. There are rules for how we move and store the lot that can be found at Christies.com/storage. Please call Christie’s Client Service at least 24 hours in advance to set up a time for Cadogan Tate Ltd. to pick up your art.
All collections will be done by appointment only, and no one will be able to come in. The email address is [email protected] and the phone number is +44 (0)20 7840 9060. Phone number: +44 (0)20 7839 9060 If the lot is still at Christie’s, it can be picked up on any working day between 9.00 a.m. and 5:00 p.m. Lots can’t be picked up on the weekends.
It’s illegal for us to charge more than $7,500 on your credit card at this sale. This rule applies to all purchases made at this sale, not just one lot of goods. Wire transfer, the cheque is drawn on a US bank, or cashier’s check must be used to pay for more than $7,500.
Any condition statement that a client is given as a favor should not be taken as fact. Hidden Treasures assumes no responsibility for typographical errors or omissions. When an item doesn’t have a condition statement on it, it doesn’t mean that it is in good condition or that it doesn’t have wear and tear or signs of aging.
These clocks are often beautiful works of art. People make them with ormolu, porcelain, and wood most of the time. French Empire-style mantel clocks are extremely popular and costly.
half clock, Massachusetts shelf clock
The Simon Willard shelf clock was made in the early 1800s at the famous Simon Willard’s Roxbury Street studio in Boston, Massachusetts. It was a relatively cheap clock. Simon Willard improved on the notion of the banjo clock by designing the Massachusetts shelf clock, which was comparable to normal bracket clocks. Simon’s new show ran for eight days in a row.
Julien-Antoine Beliard was the son of Francois Beliard, a master clockmaker who worked for Louis XVI. He was born in 1758 and died after 18006 when he was still young. Julien worked for his father’s business on Rue de Hurepoix. He was particularly well-known for his skeleton clocks, which
he constructed using Nicholas Bonnet casings and Joseph Coteau enamel (J-D. Augarde, Les Ouvriers du Temps, Geneva, 1996, p. 279.). (J-D. Augarde, Les Ouvriers du Temps, Geneva, 1996, p. 279.). There was a lot of Thierry de Maigret’s art in Paris on March 25, 2015. It was lot 273. Ader, Picard, Tajan sold a painting by Beliard in Paris on February 23, 1978, lot 55. Ader, Picard, Tajan sold a painting by Beliard in Paris on December 13, 1980, lot 65.
Joseph Coteau, who lived from 1740 to 1812, was the best enameller in the world at the time. He made bejeweled dials for the world’s most famous clockmakers. This is how it worked: In 1766, he was named maître-peintre-émailleur at the Saint-Académie Louis de Saint-Luc. By 1772, he had established a residence on Paris’s Rue Poupée.
Decimal or Revolutionary time was set up by the National Convention on November 24, 1793, by an order that was signed. It was going to be replaced by the Republican calendar, which divided the day into ten hours of one hundred minutes each, which were then broken down into one hundred seconds each. The Gregorian calendar was going to be phased out. Despite the fact that it was a logical simplification of timekeeping, it proved impossible to change the public’s habits. The new method required the development of a new dial, for which a competition was organized to create one that was both clear and easy to read.
Despite the efforts of some of the world’s greatest clockmakers, the system was never universally embraced, and clockmakers had little practical reason to support it, as their Revolutionary clocks were rendered obsolete outside of France, thereby killing their export industry. By 1795, it was no longer necessary to use Decimal time, and clocks and watches were being made that used both the old and new systems, as shown in this example. Finally,
the Decimal system couldn’t be used properly, so on January 1, 1805, French timekeeping went back to the way it was before. It was brought back for a short time in 1871 as part of the Paris Commune. Backward, the movement has a sign that says “8 – 1.” This means it was made in 1799, which was the year of the Revolutionary War.